Sunday, 18 October 2015

> HAMMER AND HANGING-MAN LINES



In Exhibit 4.14 we see that the rally, which began in early February, terminated with the arrival of two consecutive hanging-man lines. The importance of bearish confirmation after the hanging-man line is reflected in this chart. One method of bearish confirmation would be for the next day's open to be under the hanging man's real body. Note that after the appearance of the first hanging man, the market opened higher. However, after the second hanging man, when the market opened under the hanging man's real body, the market backed off.



Exhibit 4.15 illustrates that a black real body day, with a lower close after a hanging-man day, can be another method of bearish confirmation. Lines 1, 2, and 3 were a series of hanging-man lines. Lack of bearish confirmation after lines 1 and 2 meant the uptrend was still in force.



Observe hanging man 3. The black candlestick which followed provided the bearish confirmation of this hanging man line. Although the market opened about unchanged after hanging man 3, by the time of its close, just about anyone who bought on the opening or closing of hanging man 3 was "hanging" in a losing trade. (In this case, the selloff on the long black candlestick session was so severe that anyone who bought on the hanging-man day—not just those who bought on the open and close—were left stranded in a losing position.)
Exhibit 4.16 shows an extraordinary advance in the orange juice market from late 1989 into early 1990. Observe where this rally stopped. It stopped at the hanging man made in the third week of 1990. This chart illustrates the point that a reversal pattern does not mean that prices will reverse, as we discussed in Chapter 3. A reversal indicator implies that the prior trend should end. That is exactly what happened here. After the appearance of the hanging-man reversal pattern, the prior uptrend ended with the new trend moving sideways.



Another hanging man appeared in July. This time prices quickly reversed from up to down. But, as we have discussed previously, this cenario should not always be expected with a top trend reversal.
Exhibit 4.17 illustrates a classic hanging-man pattern in May. It shows a very small real body, no upper shadow, and a long lower shadow. The next day's black real body confirmed this hanging man and indicated a time to vacate longs. (Note the bullish hammer in early April.)

Friday, 16 October 2015

> HAMMER AND HANGING-MAN LINES



Drawing the intra-day chart using candlesticks shows the high, low, open, and close of the session (see Exhibit 4.11). For example, an hourly session would have a candlestick line that uses the opening and close for that hour in order to determine the real body. The high and low for that hour would be used for the upper and lower shadows. By looking closely at this chart, one can see that a hammer formed during the first hour on April 11. Like hammer 4 in Exhibit 4.10, prices gapped lower but the white candlestick which followed closed higher. This helped to confirm a bottom.




The second hourly line on April 12, although in the shape of a hammer, was not a true hammer. A hammer is a bottom reversal pattern. One of the criterion for a hammer is that there should be a downtrend (even a minor one) in order for the hammer to reverse that trend. This line is not a hanging man either since a hanging man should appear after an uptrend. In this case, if this line arose near the highs of the prior black candlestick session, it would have been considered a hanging man.
Exhibit 4.12 shows a hammer in early April that successfully called the end of the major decline which had began months earlier. The long lower shadow, (many times the height of the real body) a small real body, and no upper shadow made this a classic hammer.


Exhibit 4.13 shows a classic hanging-man pattern. New highs were made for the move via an opening gap on the hanging-man day. The market then gaps lower leaving all those new longs, who bought on the hanging man's open or close, left "hanging" with a losing position.



Thursday, 15 October 2015

> HAMMER AND HANGING-MAN LINES


Exhibit 4.9 shows a series of bullish hammers numbered 1 to 4 (hammer 2 is considered a hammer in spite of its minute upper shadow). The interesting feature of this chart is the buy signal given early in 1990. New lows appeared at hammers 3 and 4 as prices moved under the July lows at hammer 2. Yet, there was no continuation to the downside. The bears had their chance to run with the ball. They fumbled. The two bullish hammers (3 and 4) show the bulls regained control. Hammer 3 was not an ideal hammer since the lower shadow was not twice the height of the real body. This line did reflect, however, the failure of the bears to maintain new lows. The following week's hammer reinforced the conclusion that a bottom reversal was likely to occur.



In Exhibit 4.10 hammers 1 and 3 are bottoms. Hammer 2 signaled the end of the prior downtrend as the trend shifted from down to neutral. Hammer 4 did not work. This hammer line brings out an important point about hammers (or any of the other patterns I discuss). They should be viewed in the context of the prior price action. In this context, look at hammer 4. The day before this hammer, the market formed an extremely bearish candlestick line. It was a long, black day with a shaven head and a shaven bottom (that is, it opened on its high and closed on its low). This manifested strong downside momentum. Hammer 4 also punctured the old support level of January 24. Considering the aforementioned bearish factors, it would be prudent to wait for confirmation that the bulls were in charge again before acting on hammer 4. For example, a white candlestick which closed higher than the close of hammer 4 might have been viewed as a confirmation. (contd.)

Tuesday, 13 October 2015

> HAMMER AND HANGING-MAN LINES


It is especially important that you wait for bearish confirmation with the hanging man. The logic for this has to do with how the hanging-man line is generated. Usually in this kind of scenario the market is full of bullish energy. Then the hanging man appears. On the hanging-man day, the market opens at or near the highs, then sharply sells off, and then rallies to close at or near the highs. This type of price action now shows once the market starts to sell off, it has become vulnerable to a fast break. However, it might not be the type of price action that would let you think the hanging man could be a top reversal.
Yet, if the market opens lower the next day, those who bought on the open or close of the hanging-man day are now left "hanging" with a losing position. Thus, the general principle for the hanging man; the greater the down gap between the real body of the hanging-man day and the opening the next day, the more likely the hanging man will be a top. Another bearish verification could be a black real body session with a lower close than the hanging-man sessions close.
Exhibit 4.7 is an excellent example of how the same line can be bearish (as in the hanging-man line on July 3) or bullish (the hammer on July 23). Although both the hanging man and hammer in this example have black bodies, the color of the real body is not of major importance.


Exhibit 4.8 shows another case of the dual nature of these lines. There is a bearish hanging man in mid-April that signaled the end of the rally which had started with the bullish hammer on April 2. A variation of a hanging man emerged in mid-March. Its lower shadow was long, but not twice the height of the real body. Yet the other criteria (a real body at the upper end of the daily range and almost no upper shadow) were met. It was also confirmed by a lower close the next day. This line, although not an ideal hanging man, did signal the end of the upturn which started a month earlier. Candlestick charting techniques, like other charting or pattern recognition techniques, have guidelines. But, they are not rigid rules.


As discussed above, there are certain aspects that increase the importance of hanging-man and hammer lines. But, as shown in the hanging man of mid-March, a long lower shadow may not have to be twice the height of the real body in order to give a reversal signal. The longer the lower shadow, the more perfect the pattern.

Monday, 12 October 2015

HAMMER AND HANGING-MAN LINES



HAMMER AND HANGING-MAN LINES

Exhibit 4.4 shows candlesticks with long lower shadows and small real bodies. The real bodies are near the top of the daily range. The variety of candlestick lines shown in the exhibit are fascinating in that either line can be bullish or bearish depending on where they appear in a trend. If either of these lines emerges during a downtrend it is a signal that the downtrend should end. In such a scenario, this line is labeled a hammer, as in "the market is hammering out" a base. See Exhibit 4.5. Interestingly, the actual Japanese word for this line is takuri. This word means something to the affect of "trying to gauge the depth of the water by feeling for its bottom."



If either of the lines in Exhibit 4.4 emerge after a rally it tells you that the prior move may be ending. Such a line is ominously called a hanging man (see Exhibit 4.6). The name hanging man is derived from the fact that it looks like a hanging man with dangling legs.
It may seem unusual that the same candlestick line can be both bullish and bearish. Yet, for those familiar with Western island tops and island bottoms you will recognize that the identical idea applies here. The island formation is either bullish or bearish depending on where it is in a trend. An island after a prolonged uptrend is bearish, while the same island pattern after a downtrend is bullish.
The hammer and hanging man can be recognized by three criteria:

1. The real body is at the upper end of the trading range. The color of the real body is not important.
2. A long lower shadow should be twice the height of the real body.
3. It should have no, or a very short, upper shadow.

The longer the lower shadow, the shorter the upper shadow and the' smaller the real body the more meaningful the bullish hammer or bearish hanging man. Although the real body of the hammer or hanging man can be white or black, it is slightly more bullish if the real body of the hammer is white, and slightly more bearish if the real body of the hanging man is black. If a hammer has a white real body it means the market sold off sharply during the session and then bounced back to close at, or near, the session's high. This could have bullish ramifications. If a hanging man has a black real body, it shows that the close could not get back to the opening price level. This could have potentially bearish implications. (contd.)

Saturday, 10 October 2015

REVERSAL PATTERNS IN SHARE PRICE



REVERSAL PATTERNS IN SHARE PRICE

Technicians watch for price clues that can alert them to a shift in market psychology and trend. Reversal patterns are these technical clues. Western reversal indicators include double tops and bottoms, reversal days, head and shoulders, and island tops and bottoms.
Yet the term "reversal pattern" is somewhat of a misnomer. Hearing that term may lead you to think of an old trend ending abruptly and then reversing to a new trend. This rarely happens. Trend reversals usually occur slowly, in stages, as the underlying psychology shifts gears.
A trend reversal signal implies that the prior trend is likely to change, but not necessarily reverse. This is very important to understand. Compare an uptrend to a car traveling forward at 30 m.p.h. The car's red brake lights go on and the car stops. The brake light was the reversal indicator showing that the prior trend (that is, the car moving forward) was about to end. But now that the car is stationary will the driver then decide to put the car in reverse? Will he remained stopped? Will he decide to go forward again? Without more clues we do not know.
Exhibits 4.1 through 4.3 are some examples of what can happen after a top reversal signal appears. The prior uptrend, for instance, could convert into a period of sideways price action. Then a new and opposite trend lower could start. (See Exhibit 4.1.) Exhibit 4.2 shows how an old uptrend can resume. Exhibit 4.3 illustrates how an uptrend can abruptly reverse into a downtrend. 



It is prudent to think of reversal patterns as trend change patterns. I was tempted to use the term "trend change patterns" instead of "reversal patterns" in this blog. However, to keep consistent with other technical analysis literature, I decided to use the term reversal patterns. Remember that when I say "reversal pattern" it means only that the prior trend should change but not necessarily reverse.
Recognizing the emergence of reversal patterns can be a valuable skill. Successful trading entails having both the trend and probability on your side. The reversal indicators are the market's way of providing a road sign, such as "Caution—Trend in Process of Change." In other words, the market's psychology is in transformation. You should adjust your trading style to reflect the new market environment. There are many ways to trade in and out of positions with reversal indicators. We shall discuss them throughout the blog.
An important principle is to place a new position (based on a rever sal signal) only if that signal is in the direction of the major trend. Let us say, for example, that in a bull market, a top reversal pattern appears. This bearish signal would not warrant a short sale. This is because the major trend is still up. It would, however, signal a liquidation of longs. If there was a prevailing downtrend, this same top reversal formation could be used to place short sales. I have gone into detail about the subject of reversal patterns because most of the candlestick indicators are reversals. Now, let us turn our attention to the first group of these candlestick reversal indicators, the hammer and hanging-man lines. (continue.)

Wednesday, 7 October 2015

CANDLESTICK TERMINOLOGY AND MARKET EMOTION


CANDLESTICK TERMINOLOGY AND MARKET EMOTION

Technicals are the only way to measure the emotional component of the market. The names of the Japanese candlestick charts make this fact evident. These names are a colorful mechanism used to describe the emotional health of the market at the time these patterns are formed. After hearing the expressions "hanging man" or "dark-cloud cover," would you think the market is in an emotionally healthy state—of course not! These are both bearish patterns and their names clearly convey the unhealthy state of the market.
While the emotional condition of the market may not be healthy at the time these patterns form, it does not preclude the possibility that the market will become healthy again. The point is that at the appearance of, say, a dark-cloud cover, longs should take defensive measures or, depending on the general trend and other factors, new short sales could be initiated.
There are many new patterns and ideas in this book, but the descriptive names employed by the Japanese not only make candlestick charting fun, but easier to remember if the patterns are bullish or bearish. For example, in Chapter 5 you will learn about the "evening star" and the "morning star." Without knowing what these patterns look like or what they imply for the market, just by hearing their names which do you think is bullish and which is bearish? Of course, the evening star which comes out before darkness sets in, sounds like the bearish signal—and so it is! The morning star, then, is bullish since the morning star appears just before sunrise.
The other pivotal price point is the close. Margin calls in the futures markets are based on the close. We can thus expect heavy emotional involvement into how the market closes. The close is also a pivotal price point for many technicians. They may wait for a close to confirm a breakout from a significant chart point. Many computer trading systems (for example, moving average systems) are based on closes. If a large buy or sell order is pushed into the market at, or near, the close, with the intention of affecting the close, the Japanese call this action a night attack. Exhibits 3.4 to 3.7 illuminate how the relationship between a period's open, high, low, and close alters the look of the individual candlestick line. Now let us turn our attention to how the candlestick lines, alone or in combination, provide clues about market direction.